We are getting into serious money with the AX range but if you like the Adam Audio approach and have a smaller budget then they’ve recently released a “T Series” which aims to bring their expertise to the home studio end of the market. In many cases, a blown speaker will exhibit obvious signs of physical damage–typically a rip or tear in the speaker cone. The sound they put out is startlingly crisp and clear, with a richness and depth that belie their size. The drivers are bi-amplified, with a 6.5 inch low frequency driver with a bass extension of 42 Hz. The design is also quite beautiful, in my opinion, as it has a modern, unassuming, professional look to it. The bass ports are found at the front, which accentuates the fact that these monitors are designed for a small space. However, at 400 Hz, one of the woofers fades out and the other woofer continues the midrange up to 3,000 Hz. The naming convention that IK Multimedia use in “iLoud” makes you think of iPhones and iPads and multi-media devices, which is a shame because these are far more serious and useful in a small studio context. Even in larger rooms, nearfield monitors also serve the added benefit giving an engineer or producer a “second opinion” from another set of monitors. This particular feature gives the 308P MKII outstanding depth and detail, which really come to the fore when mixing. The PreSonus Eris E44 studio monitor is considered the answer to the “poor home studio” sound. While studio monitors may not seem necessary to the uninitiated, if you ever want to have professional quality sound you’ll have to get at least one. This guide only covers nearfields and midfields, as that would generally be the options both available to purchase online, as well as what you most likely need. Yet at the same time, they don’t “flatter” your music so much like a KRK. The only negative thing that I could find was that they are sometimes considered a little “bright” in some applications. In this guide, we’re taking a look at the PreSonus Eris E44 studio monitor, which is an affordable, dual woofer configuration that gives you four powerful woofers in one pair. A good studio monitor speaker has what is called a “flat frequency response.” This means neither bass, treble,  nor any other frequency within the mid-range will be boosted or attenuated. For this reason, the monitor is consider a 2.5-way system instead of 2. There are two ways to connect studio monitors to a computer/laptop. Thanks for the suggestion! Both share many of the same features: bi-amped digital amplification, room compensation, and silk-dome tweeters. The Opal's EX8 mid-low driver is a technical innovation. Because there’s no point investing in hugely awesome speakers if your room isn’t acoustically treated and already full of awesome gear. MusicProductionNerds.com is a participant in a variety of affiliate programs, such as Amazon Associates and Loopmasters Affiliate Program. With no less than 25 settings and an onboard LCD display, this Rokit G4 has a lot more versatility than your average studio monitors. You’ll hear a flat sound which will be transparent enough for you to spot any blemishes in your mix. For smaller rooms consider the A5X or A3X for a less powerful solution that won’t overwhelm the space. Even when you move up to a more accurate and neutral set, you will still have plenty of use for the G4 for less demanding applications and a second set of ‘ears’. Their job is to present you with the naked truth of your mix. In the pro audio world, however, when we speak of a “monitor,” we are referring to a type of speaker that allows you to listen, in other words, “monitor” your recordings, performances, and song arrangements. Making EQing decisions are easy with the KH 120 because everything is so revealing. Like the LP-6, the LP-8 punches well above its weight, delivering comparable performance to many higher-end speakers. If you have a bit more cash then finding a way to decide between the Yamaha and Rokit speakers could keep you awake at night. As nearfield studio monitors, they are particularly good for any studio application, whether you plan on recording, mixing, mastering, or doing any broadcasting or any kind of post-production work where good audio quality is paramount, upfront and personal in your workflow. This has it’s obvious benefits that you have a dedicated subwoofer already, and may not need to add another one. The woofers are a “W” composite sandwich cone, giving clear and transparent bass frequencies all the way down to 40 Hz. You’d be expecting over $1,000 for something from Neumann with this level of technology when in fact they are only $699 each. Bottom-line, the Neumann KH 120 studio monitor is ideal for you if you want a pair of high quality monitors that can do it all. The bass ports are faced at the front, to make mounting the Neumann KH 120 studio monitor easy. We’re looking for value for money, as well as pedigree, technology, design, and sound quality. Robin Vincent is the founder of Molten Music Technology Ltd. His Molten YouTube channel has passed 3.3 million views and gathered 28,000 subscribers. The unfortunate result in using these kinds of speakers to monitor your studio recordings and music production, is that it will have a negative effect on how you’re able to mix and balance your songs. For the rest of us, they are practically a no-brainer if you need a good set of quality monitors. This method is much less likely to be used if you’re doing this at home. Of all three drivers equals to maximum power output for the discerning ear Twin6! 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